“Working trot.” The phrase still exists, although often times, I’m not sure why. It’s rare these days to see a horse working at the working trot.
Horses are trotting all over the place, certainly, but it’s hard to see them exerting the least bit of effort to do so. It might be more accurate to call the gait we see the “holiday trot.”
Most horses trotting along (that seems to better capture what’s going on) are definitely on holiday. That means no work. What do you and your horse do on holiday? You (or your horse) probably get out of bed (the stall or paddock), maybe do a little sightseeing (that looks like good grass to eat…wait, was that chair there yesterday?)…but basically relax (forward?…not sure what you mean by that…).
The biggest defense of the holiday trot — which includes trotting under tempo — is that it is the way to create balance, which is necessary before the horse can do anything well. To my mind, there’s way too much emphasis — or should I say, misplaced emphasis — on balance and what you need to do to help your horse learn how to balance or balance better. Don’t get me wrong, I’m all for balance. I’m just not impressed by a horse that is balanced while basically doing nothing. And I’m not sure how that prepares the horse to do anything more challenging and do it well.
In extreme cases, you may need to ride under-tempo to help your horse balance. I’d even recommend it if your horse is just being started or is so clumsy that he or she is going to fall on his or her face when you start trotting. Those circumstances should encourage you to ride under-tempo for a while. Even then, a while shouldn’t go on very long. Weeks perhaps, but certainly not months or years.
The idea that horses need to be ridden under tempo isn’t the only contributing factor to the demise of the working trot. I also blame it on the popularity of the warmblood. What we love about the warmblood trot — the suspension — is the very thing that makes for that BIG TROT that people like to boast about. The problem is that people might love it but can’t ride it. There’s an easy solution for that — don’t buy it until you can ride it. What good is it if your trainer can ride it and you can’t?
Many riders say they’re helping their horses balance by riding under tempo when they’re actually helping themselves balance by riding under tempo. If it’s your balance that you’re helping by riding your horse under-tempo, then get thee to lunge lessons and get fit. Work without reins, ride as many horses as you can, and do yoga or pilates. And remember, the “working” part of the phrase “working trot” was never supposed to apply to riders. If it’s too much work for you to get your horse moving forward or to stay with him when he does, you have other work to do.
Some people have never ridden a working trot but think they have. How it feels is not necessarily what it is. If you’re not 100% sure that what you’re feeling is a true working trot, get out your videocamera. You may be surprised — especially if you have a warmblood, and even more so if you have a long-legged, “big mover” — that the working trot you think you feel underneath you is, in fact, a holiday trot.
Here’s how the United States Dressage Federation defines working trot (and canter, but that’s for another day):
“A pace in which the horse goes forward energetically but calmly, with a length of stride between that of the collected and medium paces. The degree of uphill balance is less than in the collected pace.”
Note the word energetically. And the fact that it’s combined with the world calmly. The two words are not contradictory. One can be energetic and calm at the same time (note to husbands and riders everywhere) and so can horses. The fact is that if you don’t feel energy underneath you while you’re trotting, you probably don’t have a working trot.
There’s another fact about the trot that relates to balance and it helps explain why you want a working trot and not a trot that’s under tempo. Among all the horse’s gaits, the trot is the easiest one in which the horse can balance, because the horse balances on two legs at a time — one on each side — during this gait (in contrast to the walk, canter and gallop, each of which have the horse balancing on a single leg). This is the reason why the horse finds less need to use its neck as a balancing rod a the trot.
Even though it might be easier for the horse to balance at the trot than at any other gait, good balance still requires strength (even for those to whom balance is primary, like a gymnast or acrobat). It takes even more strength to be balanced with unreliable weight shifts above you (the posting or sitting rider).
Your horse can’t be balanced until he’s strong enough to be balanced. And your horse will never develop the strength necessary to balance himself well in all the gaits if you ride under tempo. If he’s not moving at a working trot, your horse just isn’t working hard enough to get fit. The sad fact is that riding under tempo doesn’t really prepare the horse for much of anything. The fact is, as a training technique, it has no legs.
Once you get a good working trot that you can rely on, and the strength that develops from it, you can then work on lengthenings…and gatherings…and after that, collection. With the working trot as a foundation, lengthening isn’t difficult. Gathering isn’t difficult either, because the strength of the hindquarters helps the horse stay in balance and rebalance (those half-halts go through). Collection isn’t all that difficult either, because the increased strength of the hindquarters that develop in the working trot, and then from lengthening and gathering, can convert horizontal energy into vertical energy in collection.
Energy is the key. So don’t settle for sham balance. Have your holiday while you’re hand grazing. When you’re trotting, it’s time to get to work.
Did you by chance drop by my arena this weekend?!
Point taken. Thanks for the reminder. 😉
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Your comment brought a smile to my face. Thanks. I was afraid that my tone in this post got a little “preachy” (which I try to avoid), so it’s nice to know I didn’t offend everyone!
I’ll always remember the first time I rode a big moving horse. I really, really thought I had forward. Until I saw the videotape.
It can be hard to know what a good working trot is for every horse because it feels different on every horse. That’s where understanding the horse’s natural tempo comes into play (did you read my post on the Three Bears of Tempo?). I think the idea of feeling true energy underneath you is key.
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Just read the Three Bears post.
I loved your explanation of rhythm v. tempo. If you have any background in music, it’s irritating when those two concepts are misused / confused (by dressage instructors). Rhythm is strict while tempo can vary. A four beat canter is the wrong rhythm, but could be the correct tempo. A heads in the air super fast walk is still the correct rhythm but probably the wrong tempo.
I have ridden a big trot before on one of my trainer’s horses, and it threw me out of the saddle. I suspect that we often (consciously or not) block our horses, working against them achieving the proper energy level. (although laziness does play into it occasionally)
Any quick suggestions on motivation to up the tempo that doesn’t degenerate into nagging?
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Very well said! I have a friend who has a GORGEOUS warmblood mare with the most amazing trot…at liberty. But when she rides her that trot looks more like a western pleasure drag-your-feet trot because her working trot is so HUGE it springs the rider right out of the saddle!
I have been trying to get a good working trot out of my guy, but he is the LAZIEST horse ever born. We’re working on it and getting better…there is most definitely a big difference between his holiday trot and his working trot! I got quite a few very forward and powerful (but not rushing) working trots out of him this weekend out on the trail and it felt amazing. Now, if we can just get that in the arena….
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That’s great that you were able to get a good working trot out on the trails! It’s often so much easier to get the forward you want when the horses are somewhere they enjoy and don’t feel constrained.
Now you know he can give it to you, so I’m sure you’ll be experimenting with how to get him to do it in a locale (the arena) that is smaller, where he has to bend more, and which is less interesting to his eye and spirit.
Here’s a suggestion that might work for you, which is different from the “sharpen your aids and demand a response” approach, although they dovetail. If you can get your horse going forward in the arena (perhaps on the diagonal?), let him him stop and rest afterwards. That’s his reward for giving you forward.
He may be more inclined to give you forward again when he gets a reward that pleases his nature. You can build from there.
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I think I’m lucky that a lot of my instruction has come from event trainers who happen to have trained horses up the levels in dressage as well. In a clinic shortly after I’d gotten my horse I had the instructor put it very clearly. “Your horse is a good mover. Do you want to settle for 6 on your gait scores when he can do better?” Upping the tempo and pushing my horse to work has changed everything about him. I didn’t even know horses’ toplines filled in where his has – and we still have years of training and strengthening to go! He can now trot at his natural (slower) tempo and maintain energy, where before it would have been the ho-hum, put the judge to sleep kind of trot otherwise.
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What great feedback. I’ve observed the same thing — a horse working correctly and actually using himself develops fantastic musculature, and rather quickly.
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Very true! My massage therapist says my horse’s topline is spectacular, and while I enjoy the changes I’m seeing in him, I am sad she doesn’t see that in the other dressage horses she works on. He’s a TB, and building strength vs. endurance has been a challenge – if he were a warmblood, I would expect his topline to be even more spectacular by now!
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I’m working on this, I swear! Lately we’ve been working a lot on canter transitions but getting a better trot has been in my mind too. I know he has it in him and darn it I’m going to get it out!
The thing is- it’s easier to ride a working trot than a “holiday” trot. I don’t know why I’ve been putting up with it for so long.
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I know you’re working on this Shannon and I see definite progress. I wonder — if this were another horse aside from your own, would you have demanded more earlier? Sometimes the empathy we have for our horses makes us just a little more hesitant to ask for more and especially to “push” for more.
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The short answer is yes…
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This is a bit out of sequence in terms of us all sharing our thoughts back and forth, but I wanted to respond to Calm, Forward and Straight.
I believe you’ve connected the dots, with the idea that we block our horses…and how to ask our horses to use themselves without nagging.
Common wisdom tells us that our aids lack clarity and we need to train or retrain our horses to respond to a light aid. That is true, but my experience is that many horses are, in fact, responding to our aids, we’re just not aware of the aids we’re giving! This ties in with your comment that we often block our horses “consciously or not.”
You pose an excellent question: “Any quick suggestions on motivation to up the tempo that doesn’t degenerate into nagging?”
Yes, I have some but you know me, I’m not one to scrimp on words. I’d likely fill a page with them, even though they are “quick suggestions”! I’ll put them into a post for tomorrow.
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Looking forward to it!!
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Transitions, that is my quick suggestion. Plus a slow horse (holiday trot) invites us to be slow at our aids and be like mime players. So lets not be tempted and try to get as quick and effective in leg and hand aids as possible. But I am sure we will get a whole blog entry on that.
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Working trot (and working canter) are part of our low level tests here in the Netherlands, the country of warmbloods. Although some still are tempted by the big slow trot, it is definitely not favored here, and you will get marked down on test scores. In a working you need to be able to shift pace, tempo quickly. By tempo I mean going more forward or less forward, responding quickly to the aid. If feels quite energetic, the engine is working behind, it has a forward motion, not a collected upward impulsion. Plus you feel there is a length in the strides. The upper level dressage riders sometimes start with what may look like a pony or holiday trot, but their horses are so quick to the aids, there is nothing holiday about it. When less experienced riders ride a holiday trot, they need to kick, push, honk, and restart the engine before they get a reaction. They are on a holiday.
A nice working trot, energetic, where you can feel you can accelerate and slow down on a simple aid is the way to start for me. My young guy is still weak in the hind quarters and I start with either lots of transitions or just letting loose and trotting at a high speed and then trying to connect up front. But when it is busy in the arena, this is a coalition course as I can’t steer yet the first couple of rounds. But within 5 minutes he is there. It is getting better all the time.
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Thanks for contributing to the discussion Monique, and for giving us a perspective from the Netherlands. It sounds like you and your young guy are making great progress.
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